Sunday, March 30, 2025

THE PERKS OF BEING A WALLFLOWER (2012; 1999)

 This piece was conceived in part by Gallery1988’s ‘Canon Event’, a group show with unique pieces from each participant dedicated to an impactful scene from cinema. My contribution was inspired by Stephen Chbosky’s film (and book), “The Perks of Being a Wallflower” (2012; 1999), starring a plethora of talent including: Logan LermanEmma WatsonEzra MillerPaul Rudd, and so many more.

Original typographical illustration layout from 2018
The prompt for this show was a bit more unusual, and I initially processed it as a scene from a movie or film that basically lived rent free in my head. However, I reread the synopsis and determined that my original selection did not meet the requisites for the show (or so I felt). My new interpretation was, that it should be impactful or meaningful to me, and therefore required I find content of a more personal nature (not already covered). Luckily for me I have a ton of concepts in the ‘orphanage’ or land of unfinished projects and ideas. Looking over that I realized it was time to do something that celebrated this piece of media. 

 

I don’t remember which came first for me, the film or book, but I have consumed both, and they mirror each other so closely that I cannot see anyone having a preference. The story remains the same, and the creator (Chbosky), both wrote the screenplay, and directed the film himself which is why it’s such an amazing adaptation.

 

The film itself is a ‘coming of age’ story about a youth, Charlie Kelmeckis, who must navigate love, loss, and loneliness during his first year of High School. Along his journey of self-discovery, he meets kindred spirits, Sam, and Patrick whose friendship leads to Charlie’s own realizations about himself and reconciling with his past.   

 

Newer layout for final image which was still...conceptual at best

Charlie’s story spoke to me personally, as there are many striking similarities between the fictional character’s life and my own. One coincidental detail we’re given at the beginning of the story is, Charlie lost his close friend Michael the summer before his freshman year of high school (something I know all too well about). There are many more, some less specific, and more widely relatable, but I’d rather not burden you with my own trauma. 

 

My original intent was to turn a piece of dialog from the film that resonated with me into some kind of artwork, however, I lacked a vision for what that would look like and was leaning towards something more abstract like my ‘True Magic’ piece. I already had some sketches but decided instead to start over while retaining the premise or soul of the original idea (the quote). 

 

I rewatched the film, and set to work on some layout ideas, gathering what imagery I knew I was going to need along the way. It didn’t take too long before I had a solid layout which evolved a little from the initial stages. I wanted to incorporate the green hue used for the film and book covers to touch on its familiarity with viewers. I determined the easiest way to do this was to use the green brick from those covers as a background pattern I could manipulate. I knew I wanted to have an image of our protagonist Charlie, but also needed to include some other elements about his life in order for it to paint an accurate picture of him. Originally, I was going to have my image of Charlie slowly dissolved into the background using the bricks, but after some experimentation I realized, it wasn’t going to look right, and it worked much better as a transitional element instead. 

 

Close-up of a pill bottle, and mixed-tape (IYKYK)

After solidifying my central image, I moved onto the supporting illustrations of Patrick, Sam, Sam’s truck, the cassette tape, and pill bottle. Now most of these elements would make sense to anyone who’s watched the film, or read the book, but for those who are unfamiliar with the content, no worries. Music plays a huge role in the film, and book, as Charlie begins to create his own mixed tapes. In one part of the story Charlie gives his friend Patrick a mix entitled ‘One Winter’, which is well known to fans of the tale, with the playlist available on multiple streaming platforms. The bottle alludes to some of the other themes in the film that would be giving entirely too much away for anyone who hasn’t seen it, or read the book. 

 

My biggest challenge with this piece was combining all the images together. Originally, I wanted Sam’s truck to be exiting out of the bottle like the tunnel from the film/book. Unfortunately it wasn’t achievable with my layout. I knew I was going to use the cassette tape as a dividing agent but wasn’t sure exactly how. Eventually I realized I could use the tape to draw us back towards the scene of Sam and Patrick. To keep the image balanced I added the music notes above our joyriders, which offset the left side of the image. My last issue was how sparse the rest of the image looked, and I still needed to add the quote. I thought about adding more bricks to balance the image since the only place they were visible was at the bottom of the image. This strategy turned out to be a great solution and worked well for housing the quote. 

 

Close-up of 'Sam' (Emma Watson), and 'Patrick' (Ezra Miller)

With that done I sent the image off to the printers for a proof which came back looking great. I did end up making a few edits later and sent it in for final copies. Unfortunately, they were printed before I could catch some minor tangents that I had missed previously. I did however correct the error and then saved it as my new final image for future reprints. 

 

I started the piece on February 27th, 2025, and finished it on March 30th, 2025 with some final edits taking us to April 3rd, 2025. I spent approximately, one hundred and two (102) hours, and eighteen (18) minutes working on the image, with ninety-two (92) hours, and fifty-six (56) minutes of that time being in Procreate. The remaining hours were divided between Adobe Illustrator (two hours forty-five minutes), and Adobe Photoshop (six hours and thirty-three minutes), editing. 

 

Final 10" x 10" image on white pearl linen

The 10” x 10” image (printed on White Pearl Linen, thank you SGX), was made for Gallery1988’s ‘Canon Event’, a group show dedicated to the impactful scenes from cinema which opened May 6th, 2025. At this time the prints are exclusively available via the gallery, so please check their website for all remaining works related to the show including mine.

 

For more information, or to see a catalog of my other work, please visit my online store here

You can also find me on various social media platforms below doing a multitude of other artistic things that include hand lettering, and the occasional sculpting, crafting or painting.

 

Website: www.michaelstiles.com

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