Stiles of Art: September 2022

This piece was pulled from the archives of my pun ideas, and while I swear I had a sketch for it I just could not for the life of me find it (UPDATE: the sketch was found so I posted it below for comparison, I’ll spare telling you it was literally sitting in a sketch book next to my computer the entire time I just never bothered to look in it, because I didn’t realize the book was there…behind all of that stuff…the lesson? Clean your workspace often). Anyhow, I redrew the image from memory on my iPad, which took me around five (5) hours in Procreate.

Original concept which looks a bit Spongebob-ish

With the initial sketch and layout fully realized, I took the drawing into Adobe Illustrator to vector all the linework. Upon completing that process (untimed, but potentially five [5] hours), I took the outlined piece into Adobe Photoshop to literally stitch it back together. I then painted the image in Procreate for about seventeen (17) hours. Once I was finished with the illustration, I sent it out to SGX for proofing.

Unfortunately, due the name (SPAM), the image file was misplaced, and I was never able to get an actual proof. I had to ask the printers to produce the final images sight unseen as my deadline* was rapidly approaching. Thankfully, the delay, and mix-up were not too problematic (other than just being simply stressful), as the image did not need any correcting.

The illustration is associated to a series of pun-based images I have done over the course of several years. Hopefully the ‘joke’ reads, but if not, I shall elaborate. These days those of us who have cellular phones get a lot of calls from telemarketers trying to solicit sales. Most phones these days have a feature that identifies the caller, allowing them to determine whether the interaction will be worth their time. The calls are typically referred to as SPAM (or spamming), and will show up with that title on the phone’s caller identification. Hence, the joke. I also added some of other mirth making ‘Easter Eggs’ into the image as well.

I started the 8” x 10” image (printed on 100lb Cover), on September 11^th, 2022 and finished it on the 22^nd, spending roughly thirty (30) hours on the image. The piece was due on October 7^th, 2022*, at Gallery1988 for ‘Jerrod Maruyama’s SMORGASBORD’, a group show put on by the social media maven and artist dedicated to food. The show debuted on October 22^nd, 2022, and closed November 5^th, 2022 featuring works of myself and many other talented artists. At this time the prints are exclusively available via the gallery, so please check their website for all remaining works related to the show including mine.

(*sidenote I thought it was due October 1^st, so I literally rushed to get this piece done. This is also what happens when you have too much going on all at the same time)

For more information, or to see a catalog of my other work, please visit my online store here.

You can also find me on various social media platforms below doing a multitude of other artistic things that include hand lettering, and the occasional sculpting, crafting or painting.

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I started the concept for this piece back in January completely by mistake. I was working on some ideas for an upcoming show when I tapped into some inspirational spark and began sketching multiple layouts for different films I loved. I had several by the time I was done, and thankfully I’ve had the opportunity to utilize some of them. Long story short, this was one of those images, albeit a bit more fleshed out than the others, but that’s likely due to my obsession with this childhood favorite.

Even to this day, Sir Ridley Scott’s ‘Legend’ manages to enchant new viewers under its spell, I think, because of its timeless appeal and rather overly simplistic story structure that draws inspiration from ‘the fall of Man’. It’s a classic tale of good versus evil beautifully presented, with amazingly talented performers. The film stars Tom Cruise, Mia Sara, Tim Curry, David Bennet, Alice Playten, Billy Barty, Cork Hubbert, Peter O’Farrell, Kiran Shah, Annabelle Lanyon, Robert Picardo, and more. Most people will recognize Curry’s portrayal of ‘Lord Darkness’, even if they have never seen the movie nor even know who Curry is (blasphemy in opinion). Not with controversy, the film has two versions, and two soundtracks. The original is the one most have seen, but the director’s cut contains almost a half an hour of extra footage which does flesh out the story with improved pacing/character development. Musically, the film has a theatrical release with a slightly modernized score done by Tangerine Dream, while Scott’s cut contains the original by John Bettis, and Jerry Goldsmith.

As a fan, I have long loved this film, but as an artist, I have an extreme aversion to producing work dedicated to it. Why? There is an abundance of it, and most of them are really good. I don’t really want to compete with other artists in a saturated market, BUT, this was a really great concept so…I went with it. I also had some encouragement from others to choose the film, and that helped.

My first piece dedicated to the film for Creature Features 'Tim Curry Tribute Show' (2018)

As for the piece itself, I started the sketch back in January (31^st, 2022), but didn’t return to it until August (24^th. 2022). Thankfully I had a clear idea of how this piece was going to look, so making decisions about placement and design came quickly. I really wanted to include all the major players, so first and foremost was Curry’s ‘Darkness’. I have seen the antagonist portrayed so many ways, but I was always partial to one of the original poster designs in which ‘Darkness’ is blended rather subtly into the background. In the film ‘Darkness’, depending on which cut you watch, is not fully revealed until much later yet we are given an indication early on about his chthonic appearance. I chose to depict him thusly and then placed him centrally in the layout. On my list of must haves for this piece, I knew I wanted to depict ‘Lili’ (Sara), ‘Jack’ (Cruise), and the Faerie Folk accompanying him. I also wanted to include ‘Darkness’’ lair, the Great Tree as the design was always so fascinating to me. It was imperative I include a nod to the unicorns in the film (as they are major players), and as I progressed through the piece I determined having them central was best. It would also help to contrast against some of the darker elements of the image. Primarily due to spatial constraints, I ran out of room to include all the images I wanted so a few of the more interestingly designed characters did not get represented and I had to eliminate one of the unicorns as well from the composition. Since the film takes place primarily in the forest with enormous trees, I decided to use them as a framing device to duplicate the atmosphere.

I determined that most of the characters would have to be silhouetted in order to provide the contrast I was visioning. I originally planned on going back to each one and adding a bit of a highlight here or there to give them more dimension, but quickly abandoned that plan when it became apparent that the details would most likely not be legible in the final piece. I was also reluctant to place ‘Lili’ where she is in this composition, as it echoed a piece (SLEEPWALKERS) from earlier this year. It was however the best place for her and actually worked really well from a design concept as her ‘hair’ leads us into the swamp scenario and blends into the twisted roots of the trees. I chose the color palette based on the movie’s own visuals and from a previous piece I did inspired by the film (above), for Creature Features and their ‘Tim Curry Tribute Show’. I started with the background colors first, determining that the transition was the best way to contribute to telling the film’s story (without spoiling it). It also helped with contrasting elements, although the right side suffers a bit I think due to the darker colors used, but it also forces the viewer to the left which is where the story begins anyways so...there’s that. The unicorn, and ‘Lili’ were then painted next, followed by ‘Darkness’ on the original background layer (which I never do, and was VERY anxious about). Thankfully the image did not require additional proofing beyond the initial one, and the whole process took me roughly sixty (60) hours in Procreate on my iPad, in addition to a few hours in Adobe Photoshop editing. In all, this piece really did not take me as long as I thought it would and I was incredibly concerned I would not make the gallery’s due date of September 17^th(2022). While I did resume the piece on August 24^th (2022) I didn’t complete it until September 7^th(2022) as I was juggling this piece at the same time, in addition to life events. For the time spent, I can say I am very happy with how this piece turned out. I have long wanted to develop something inspired by the film, but I just couldn’t realize what that was. The first piece I did for Creature Features was a very difficult piece for me to realize, and even after completion, it just did not seem to fulfill the void. This is a prime example of not having the skills at the time to execute a vision, and how returning to a concept, or even developing a new one later is worth exploring.

The 12” x 18” image (printed on 100lb Cover, thank you SGX), was made for Gallery1988’s ‘Crazy 4 Cult XVI’, a group show dedicated to many classic and modern films with a (cult-like) following. The show was originally scheduled to run from October 1^st, 2022, through October 15^th, 2022 with all remaining works available the following day at noon. At this time the prints are exclusively available via the gallery, so please check their website for all remaining works related to the show including mine.

For more information, or to see a catalog of my other work, please visit my online store here. You can also find me on various social media platforms below doing a multitude of other artistic things that include hand lettering, and the occasional sculpting, crafting or painting.